8/19/2023 0 Comments Amelie streaming 2022But as Dufayel says, Amélie does not have bones of glass. Failure is embarrassing, or disappointing, or heart-breaking. That is something we are constantly tempted by on devices in our pockets, convincing many of us to become wrapped up in other peopleâs lives while neglecting our own. There is comfort in being an observer, an outside force only ever concerned with the affairs of others. With happiness comes risk, but everyone she helps embraces that risk, which she herself shies away from. She intuitively knows what will bring happiness to others but needs encouragement before opening herself up to the same thing. Sometimes we become the ass-kickers, keeping the attention on someone else.ÂĪmélie spends a lot of time outside of the arena. We are invited to be judgmental almost every minute of the day, and it is not always easy to make the kind choice. Not everyone is rooting for everyone else, like Joseph, a scorned former lover of Amélieâs co-worker who obsessively documents her every interaction with another man. There are more observers than ever too, and they are not all as warm-hearted as Amélie and Dufayel. Amélie, all of us, we donât want to get our asses kicked. That fear of taking part is in Amélie, and itâs in our everyday lives, more so now than ever. Vulnerability is not winning or losing itâs having the courage to show up and be seen when we have no control over the outcome.â We can choose courage or we can choose comfort, but we canât have both. And when we make the choice to dare greatly, we sign up to get our asses kicked. It brought to mind a quote by researcher Brené Brown: âI want to be in the arena. This leads to a conversation with Amélie in which she is able to project her own sense of loneliness onto the painting. Dufayel repaints Renoirâs Luncheon of the Boating Party every year, never quite satisfied with how he interprets the girl drinking the glass of water. It takes her equally observant neighbor, the reclusive and aging artist Raymond Dufayel, to call her out on the ways she diminishes her own importance. In 2001, lives were not played out on social media and everyone looked more at faces than screens in our palms. She is motivated by righteousness, never her own interests.Âĭespite being released this side of the millennium, Amélie is an internet-less film. But sheâs spurred into action on behalf of Lucian, in much the same way people rally around sympathetic figures online. She acts on these things too, by tormenting the abusive grocer Collignon after witnessing the way he treats his colleague Lucian. She is moved by what she sees, charmed by love, and angered by bullying. What Amélie shares with many of us twenty years later is in playing the role of an observer, a critic. In 2001, lives were not played out on social media, and everyone looked more at faces than screens in our palms. Despite being released this side of the millennium, Amélie is an internet-less film. But in 2022, it feels more relevant than ever. Itâs a timeless theme: someone putting themselves at the back of the queue to prioritize everyone else. The film centers on the selflessness of Amélie Poulain and the ways in which she struggles to treat herself the way she so lovingly treats others. While she eventually allows herself some happiness with Nino, following a prolonged cat-and-mouse game, she spends much of the film as a side character in everyone elseâs story. After tracking down the owner of a box of childhood memorabilia she finds hidden in her apartment, she decides to spend all her time bringing the same happiness to others.īut what of herself? She inspires her dad to see the world, helps a blind man cross the road, instigates a romance between a co-worker and a customer, and yet, she hesitates to devote the same attention to herself. From her vantage point working as a waitress at the Café des 2 Moulins, she sees the everyday lives and loves of the people in her Montmartre neighborhood. If you let this chance pass, eventually, your heart will become as dry and brittle as my skeleton.âĪmélie is a kind-hearted young woman, always putting others before herself. ÂMy little Amélie, you don’t have bones of glass.
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